Nick • Anatomy o Stylized o Elongate the end of the pelvis bones o Enjoyed the curving contours o Emphasizing the curves • Line Quality o Varying pressure, resist outlines o Use hard charcoal to lighten line quality, then move to medium or soft for darkening o Imagine the movement the pelvis would make if its in the motion, then doing the movements with your marks • Planes o Varying the plane sizes to emphasize space • Own Handwriting o The line quality shows your own style, thick solid lines. Megan • Anatomy o Proportions of the pelvis are good, but the femurs again are short. • Line Quality o Darkening some of the lines on the bottom of the femur Xia • Anatomy o Proportion is very accurate o Shoulder blades are beautiful, they have curve and movement. • Planes o Look a little flat, but not much shading could be the issue o Darken up the lines on the arm to bring it out • Proportion o Rib cage looks like its breathing • Handwriting o Throw in your figure eight.
1 comment:
Nick
• Anatomy
o Stylized
o Elongate the end of the pelvis bones
o Enjoyed the curving contours
o Emphasizing the curves
• Line Quality
o Varying pressure, resist outlines
o Use hard charcoal to lighten line quality, then move to medium or soft for darkening
o Imagine the movement the pelvis would make if its in the motion, then doing the movements with your marks
• Planes
o Varying the plane sizes to emphasize space
• Own Handwriting
o The line quality shows your own style, thick solid lines.
Megan
• Anatomy
o Proportions of the pelvis are good, but the femurs again are short.
• Line Quality
o Darkening some of the lines on the bottom of the femur
Xia
• Anatomy
o Proportion is very accurate
o Shoulder blades are beautiful, they have curve and movement.
• Planes
o Look a little flat, but not much shading could be the issue
o Darken up the lines on the arm to bring it out
• Proportion
o Rib cage looks like its breathing
• Handwriting
o Throw in your figure eight.
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